HISTORICAL MURALS OF BERLIN, 1965-1989

In the 1970s, the graffiti scene, inspired by the burgeoning hip-hop movement, finally developed in the New York underground. Within a few months it became a gigantic wave that spilled over to Europe. The punks and hip-hop took streetart to their strongholds of London and Amsterdam, from where they arrived in West-Berlin.

View on newly erected houses at Stalinallee, Berlin-Friedrichshain, 1963

Wall frieze by Walter Womacka
House of the Teacher, Berlin-Mitte, 1965

Also in East-Berlin there were forms of street art, however, the artists were severely restricted in their freedom and had to be in strict compliance with mandated socialist realism as to be seen here on the wall frieze by Walter Womacka from the 1960s. Political slogans were also painted on houses and walls of East-Berlin but usually immediately removed by state security. The Berlin Wall initially only presents itself as a huge screen in West-Berlin, onto which political slogans, murals and later graffiti are painted and sprayed from the 1970s.


The dividing Wall of Berlin, 1961-1989

Wall frieze by Walter Womacka
House of the Teacher, Berlin-Mitte, 1965

In its beginnings streetart found many advocates. The Second World War had left many traces in Berlin in the form of firewalls and bomb blanks, which could be concealed by the murals. The politicians promoted the street art projects in West-Berlin with design programs and competitions like Kunst am Bau. Numerous artists brought different styles and techniques with them, the goal was an active intervention in the cityscape.

Ben Wagin, “World Tree”
Berlin-Tiergarten, 1977/2018

It all started with a moaning tree being surrounded by violent car exhausts. The environmental work Weltbaum (World Tree) by Ben Wagin was the first big mural realized at the Western part of Berlin in 1977. Due to construction works it can no longer be seen at its original place. Therefore, it was painted and reconstructed again in May 2018 at a suitable building in Lehrter Str.

Gert Neuhaus, “Zipper”
Berlin-Charlottenburg, 1979

Marilyn Green, Rainer Warzecha and Christoph Böhm
“Model Germany”, Berlin-Kreuzberg, 1981

Political slogans painted or sprayed on house walls have always been part of political movements, not only since the West-German squatter movement of the 1970s and 1980s, which makes intensive use of this means of expression. The squatter movement was especially strong and active in West-Berlin where many houses were unused, empty or in very bad condition.

House ruin at Winterfeldplatz
Berlin-Schöneberg, 1981

Mural on a squatted house
KuKuck, Berlin-Kreuzberg, 1982

The works created in West-Berlin in the 1970s and lateron by the squatter movement of the 1980s often had a political message – such as the “World Tree” by Ben Wagin or the now-defunct Mural “Model Germany” by Marilyn Green, Rainer Warzecha and Christoph Böhm. Illusion painting was also very popular. One example is the still existing gable “Zipper” by the artist Gert Neuhaus.

Sigurd Wendland, “Potsdamer Str. 1945”
WW II bunker, Berlin-Schöneberg, 1983

Harald Juch, “Chernobyl Disaster”
Berlin-Schöneberg, 1986

View on Kurfürstendamm
Berlin-Charlottenburg, 1987

Gert Neuhaus, “Phoenix”
Berlin-Charlottenburg, 1989

Illegal underground art existed by mutual agreement in addition to commissioned works, which were mostly awarded by housing associations. Sometimes the works also overlapped, often disappearing again. With the big political transitions starting in late 1989 a lot has changed in Berlin also in regard of urban art, but that’s still like that till today!

 

 

 

ELEMENTAL ABUNDANCE

You are crazy, my child.
You must go to Berlin.

Franz von Suppé, 1800

Especially in spring an irresistible desire for yet another unknown land emerges suddenly at dusk somewhere in the nowhere. Time for a small picture story of Berlin through enigmatic shallows and at multiple urban shores.

Can you hear me?

Word War II and the later division of Berlin have led to a lot of unused infrastructure, railways, empty factories and abandoned places till today. So there are really many possibilities getting lost in the labyrinth of the town.

Looking for enlightenment in a deserted factory at Treptow

Kitsch in an allotment garden at Charlottenburg

The city is changing quickly every day, but the spirit used to be indeed much more rebellious here in former times. Some wild street art reflects these eternal inflammatory ambitions sprouting from undergrounds.

Mural at Kreuzberg near Moritzplatz

Former railway tunnel at natural park Südgelände-Gleisdreieck

Large urban areas are covered with lakes and endless woods on sandy soil left by glaciers of the last ice age. Here the approaching predatory and brutal gentrification of many city districts does not play any role so far.

Krossinsee at Köpenick in early April

The journey is not yet over here – just a short excursion of my homeland today, thanks for reading.

Painting at Bernauer Str. reminding to Berlin’s division (1961-1989)

 

 

STROLL THROUGH WILD STREET-COLORS

Each place carries a history and tale untold which needs to be revealed and spread again. Rapidly the first syllables are being uttered by an archaic reflex leading to further mysterious signs and riddles at the next street-corner. When moving simply forward on these hazy paths of color a quaint monument can be reached at the vague horizon eventually.


https://restlessjo.me/2019/04/15/jos-monday-walk-zoo-zoo-zoomarine/

 

 

THE COLOR PALETTE IN THE STREETS OF HAMBURG

When visiting good friends last weekend at Hamburg this led to the welcomed opportunity to pass some striking colourful hidden corners at the district of Altona. 

During early Sunday morning I strolled in and nearby the street Bahrenfelder Steindamm and found astonishingly a lot of creative images and graffitis in a quite small radius.

Unfortunately we had no time to stay a bit longer, as the weather was really very nice this time.

Jo’s Monday walk : A Tale of three Castles- 3. Dunstanburgh